can you loan out a kindle?

Library Journal announced last week that Brigham Young University had received a verbal okay from Amazon to start lending Kindles in their library. This week it appears that they’ve suspended the program until they can get written permission. While I totally understand the concerns on both sides here, I’d really like it if libraries sometimes erred on the side of continuing to do whatever it was that they were doing, in good faith, and let the vendors let them know if they’re not doing something correctly. It’s a little weird to me that Amazon has invested all this time and money into an ebook reader and has no policy about what the legal/copyright concerns are with using it in a library. Can someone please force this issue?

update: There is an interesting story making the blog rounds about just how much of the Kindle’s policies and DRM weirdnesses remain mysterious, even to the people who work at Amazon.

digital media and accessibility, the kindle 2

I don’t have a Kindle. That said, I accept the inevitability of the idea that more and more of our reading content is going to be delivered digitally. That’s why I think it’s important to understand these tools even if they offer limited utility for us or our patrons at the time. The Kindle has “accessibility” features built into it that allow a book to be read out loud via the Kindle. This is great news — and probably also legally necessary — for people with various reading disabilities ranging from visual disabilities to text-based learning disabilities. However, the Kindle also allows publishers to remotely disable text-to-speech (TTS) options in books that you may already have on your Kindle. And publishers are doing this, a little, at the urging of the Authors Guild.

The Authors Guild, for their part, has issued this statement about the situation which, on first reading, does make a certain amount of sense. As a librarian I’m more concerned about the overarching issues of digital rights management and the notion that even though you’ve nominally purchased a book (perhaps at a loss for Amazon) you still have an item that is, in part, controlled by its creator who can alter the item according to the license terms you agreed to. A little more about this on Slashdot.

Libraries of the future – here for you now

One of the fun parts of the Symposium this wekeend was seeing Brewster Kahle talk about stuff. He started out by talking about this book Libraries of the Future that he wanted to scan and put on the Internet Archive. He then talked further about how figuring out who owned the copyrights for it was a total pain in the ass. I’m not even sure if he ever did figure it out; he even had MIT’s librarians working on it. The book is online anyhow. I haven’t looked at books in the Open Library project in a while but how slick is this? Full and slightly messy text here which, amusingly, ends with: PLEASE DO NOT REMOVE CARDS OR SLIPS FROM THIS POCKET.

ISBNs in the age of digital books

Some observations from Peter Brantley about what ISBNs will do in an age of digital books and multiple intermediaries between “publishers” and “readers.”

We are rapidly jerking forwards into a near term future where ISBNs will be assigned for derivative digital book products by intermediaries, not publishers. As an astute colleague observed in New York, the ISBN becomes a product SKU.

There are many disadvantages in this; one is that it will become increasingly difficult to find the “book” in the tangled weave of various digital instantiations. Perhaps no longer will we be able to ask how many copies did EduPunk 2020 sell.

my first audiobook – a day in the life

I had a long day at work today. I went to teeny library number one and noticed their Internet wasn’t working. Apparently it had been down for days, a service guy was on the way. I climbed around under the desk and found that the computer was plugged directly into the wireless modem which was in turn incorrectly plugged in to the cable modem. Bad ports all around. The cable was working fine. Then I went to the basement to mess with the three donated computers. They are from an insurance company. They run Win2K which is not bad in my neck of the woods. I plugged them all in and started them up and was asked for a 25 digit license code. “Hey did these computers come with any software?” I asked. “Just what’s on them.” the librarian told me. I gave her a brief rundown on how to ask the insurance people nicely if they have software licenses for the software they sort of gave us and, if they didn’t, what our legal and non-legal options were.

The situation at the library underscores the importance of having proper IT infrastructure and software licensing in place. Without a reliable Internet connection and licensed software, productivity and security can be severely compromised. This is where Identity and Access Management services can come in handy, as they provide a centralized solution for managing user identities, access, and authentication across various systems and applications. With IAM solutions, libraries and other organizations can ensure that their users have secure and authorized access to the resources they need, while also maintaining compliance with licensing agreements and other legal requirements. Additionally, IAM solutions can help prevent unauthorized access and data breaches by implementing strong authentication and authorization policies.

But that isn’t what I wanted to talk about.

What I want to talk about is audiobooks. I was present at the downloading of my other teeny library’s first audiobook today, and helped a patron get his first audiobook. The book was from Overdrive. Our library isn’t a subscriber but this patron had another library card at a place that has Overdrive. I was told when I got in that a patron with an iPod needed help getting an audiobook from this library. I said yeah he should be having some trouble, Overdrive doesn’t support Macs/iPods, or they don’t suppoer it. I launched into an explanation of DRM until I got the impression it wasn’t helping and sat and waited for the kid to show up. Turns out he didn’t have an iPod (as I suspected) and turns out he had checked out an MP3 player from the library that has the Overdrive subscription. They had offered to put the book on the MP3 player for him, but they also told him they didn’t know how to do it and suggested, according to him, that he should do it himself. So he came to the library that I work at. They told him to come back when I was working because no one there knew how to do it either. This is what we did.

  1. restarted the computer in exec mode
  2. went to the library website to assure that the book was “checked out” to the patron.
  3. plugged in the MP3 player
  4. downloaded the OverDrive Media Console
  5. installed the Overdrive Media Console after a false start when the firewall blocked its attempt to download files to install into itself
  6. Ran OverDrive Media Console which told us we needed a newer version of Windows Media Player
  7. Went to the Windows site only to find that the version for our computers is Version 9, not the current version 11.
  8. Fished around for a bit until we found version 9 and downloaded it
  9. Installed WMP version 9.
  10. Ran the OverDrive Media Console which said we need to get a Windows Media Security Upgrade for WMP
  11. Installed the Windows Media Security Upgrade which is required before any DRMed files can be played
  12. Re-ran the OverDrive Media Console
  13. Downloaded the book
  14. Installed the book on the MP3 player.

According to OverDrive’s website, this is about par for the course. Then of course the librarian told me that since I’d done all this with the Centurion Guard not unlocked, I’d have to do it all over again next time.

I appreciate that digital media is really where people are going, and I understand why. However, this was one of the worst user experiences I’ve had to subject a patron to in a library at any time, ever. The patron I was helping was a 13 year old kid who was totally agreeable about having to spend basically an hour getting an audiobook off a website, but I couldn’t look him in the eye and say “Yeah this is what it’s like when you want to read a book over a computer.” I just said “This is how it works when companies make dumb choices about how to sell digital content, and no one is telling them they have to do it any other way.”