From the VTLIBRARIES Mailing list: “A public library in Illinois offers a motorized scooter for its patrons to use. One of those ideas that makes you think, of course!”
Month: January 2009
What happens in a copyright dispute on YouTube?
One the the benefits of my free agent status is that I can occasionally push the envelope on certain rules in a spirit of “see what happens” realizing that some small town in Vermont won’t be bankrupted if I get sued. I’ve often said that I’d like to see more civil disobedience from libraries concerning copyright legislation (especially concerning public performance rights to movies and ability to make copies of our own content) but it’s not happening quickly. That said, as you may know, I make some videos and have put them on YouTube. One of them was popular for a little while. Sadly, that one had a soundtrack from a Beausoleil album that I liked and did not have permission to use. The other much less popular video was just some shots out the window driving in a rainstorm while listening to the radio. The song in question comes on the radio for about the last minute of my video.
Last week I got an email from YouTube saying… I don’t still have the email but in short their Video Identification tool had matched a song in two of my videos and my videos had immediately been removed from public viewing. My options were to 1. delete the audio and/or use their AudioSwap feature to replace it 2. dispute the copyright claim on a few grounds 3. delete the video. I opted to try AudioSwap for my popular video, sort of sad because it removes my voiceover and other sound effects, but decent because it’s a better option than removing the video entirely. I replaced the soundtrack with a free track from AudioSwap. If I felt like I had time and energy I’d write to Michael Doucet and see if he’d give me permission, but it’s probably not even him but his record company, etc. The AudioSwap interface is clunky and may or may not put an advertisement in your video (and hasn’t worked yet for me but I keep trying) but it’s a good option to have.
In the second case, I really feel like I have a decent Fair Use case, so I filled out this form. The form says that I think the clip is fair use under copyright law. It’s my responsibility to “understand the law” according to YouTube, and that is my understanding of it. I had to “sign” it and also type [well copy/paste] the line that says I’m not intentionally abusing the dispute process. After I did that, I was sent to this help article to see what will happen next. The article warns
If the content owner disagrees with your dispute for any reason, they will have the option to submit a copyright takedown notice which will result in the disabling of your video and/or penalties against your account. To avoid penalization, only submit legitimate dispute claims.
So, we’ll see. I think I’m right. I hope the copyright holder thinks so too. At the very least they will be bored with four minutes of windshield rainstorm before they even hear their song and even then they’ll probably be straining saying “Is that it?” At the worst, I’ll get some sort of “penalty against my account” of unspecified awfulness. So, for those of you too timid to try this at home, or possibly being cavalier about the audio you swipe, that’s my report of the consequences … so far.
brokenness and compassion
I’m a bit of a scab-picker as far as technology goes. I’m more interested in how stuff breaks than how it works when it all goes well. This is why I do more troubleshooting than tech creation. I’m good at it and I enjoy the problem-solving angles of it. As a technology instructor in a rural location, I sometimes feel like I’m dealing more with broken stuff than stuff that works. Given this, having an approach to brokenness that isn’t just “Oh, that’s not supposed to happen…” is key to helping people feel comfortable with technology. Leigh Anne Vrabel who runs the Library Alchemy blog has a concise post that summarizes a way to move forward inhabiting this sort of world.
Technology has to be supported by brotherhood, sisterhood, understanding and compassion.
And if I can paraphrase, I’d have to say “We’re all in this together and we haven’t all learned until everyone is leaning.” I’ve definitely been guilty of throwing up my hands trying to teach someone something because they had so much emotion wrapped up in why the computer “didn’t like them” that they couldn’t follow steps to do the actions they theoretically wanted to do.
Just like people who choose to live in the frozen north up here do so “for a reason” I think that most people who don’t know how to use a computer in 2009 — similar to people who don’t drive, who don’t have a telephone or who don’t have electricity — don’t know for a reason. For some people that’s an active reason, they’re not interested, they don’t see a need for it, they’re already busy enough, but for some people it’s a passive reason, they’re resistant to change, they’re easily frustrated, they have a disability that makes technology difficult and no one to help them with adaptive tech, they’re poor. As a technology instructor, part of my job is making technology a genuine option for people who have a need for it, not to sell it to people who don’t want to buy it. At the same time I explain what technology actually IS, apart from the television commercials and relentless boosterism about the promise of the Internet. That’s my interpretation of “technology with heart” [ttw]
DC Public Library catalog accessible via iPhone app
Aaron posts about an alternative catalog interface that DC Public Library has created for the iPhone and iPod touch. Nice looking, and with the code “available soon” hopefully replicable by other libraries using SirsiDynix. Go download it and test it out.
free book on library blogs
Thanks to Sarah Houghton-Jan’s pointer, I’ve taken a look at LibWorld – library blogging worldwide a collaborative publishing project outlining the state of the biblioblogosphere worldwide (well mostly North America, Australia and Europe, plus Peru). The book is available as a free download or you can purchase a print viersion. It’s released under a CC license which is good because as much as I like the content, the formatting is really weird and I’ve been toying around with maybe re-releasing it with different formatting because it’s Wintertime and I am a fussy librarian.