Ebooks aren’t just electronic books. They are a combination of certain file types, certain readers and certain software designed to keep people from migrating away from the approved file type and reader combinations. Confused? Jason Griffey explains.
secret rooms in libraries
One of the librarians showed me the secret room in the library if I’d write something about it. There is a secret room in the ceiling of VTC’s Hartness Library. You turn a key in a keyhole in a brick wall and a staircase descends from the ceiling with a great rumbling. Climing the stairs gets you into a disused room that used to be the bindery area but is now just used for storing shelves and old Eames chairs. It’s an odd and noisy room since it’s right next to the room where all the HVAC equipment is. They don’t use the room anymore because of ADA requirements and because it’s darned complicated to get into and out of when the library is open. I’ll add this freaky little room to my list of library attics and basements that I’ve been compiling. Places that don’t have elevators, places that are inaccessible or otherwise tough to get into. Thanks, Ben, for showing me another one. Here’s the list I can put together off the top of my head so far.
- Entering the sub-basement at Colorado College.
- Rubber stamps in the University of Alabama library basement (there was also a printing press)
- The stairs to the room upstairs from the Bradford (VT) library
- The Calef Library basement in Washington Vermont
- Old card catalogs at the Library of Congress
- Not quite on topic but the secret door [art piece, not functional to go someplace secret] at the San Jose State library is pretty nifty.
obligatory joke about reading while in the can
“Travelling Commode in form of Large Book…. an unusual example of the use of the book form to disguise travelling personal furniture, probably for use on the military field.”
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SkyRiver vs. OCLC antitrust lawsuit
“In a move that could have far-reaching implications for competition in the library software and technology services industry, SkyRiver Technology Solutions, LLC has filed suit in federal court in San Francisco against OCLC Online Computer Library Center, Inc. The suit alleges that OCLC, a purported non-profit with a membership of 72,000 libraries worldwide, is unlawfully monopolizing the markets for cataloging services, interlibrary lending, and bibliographic data, and attempting to monopolize the market for integrated library systems, by anticompetitive and exclusionary practices. ” Karen Coyle has a great series of posts explaining what is really going on
- Sky River sues OCLC
- the lawsuit explained, part 1, part 2
- She also points to Marshall Breeding’s article on the suit, written for Library Journal.
The article quotes Karen Coyle as saying
As the representative of a major ILS company explained to me a few years ago, the library market is a zero-sum game: every time one vendor wins, others must lose, because the number of customers is not growing. The library market is a pie that can be divided into any number of slices, but the pie remains the same. This makes the rise of any one company a threat to all. In the commercial marketplace, the vendors compete over functionality and price. With its non-profit status OCLC has a distinct advantage: it doesn’t pay federal income tax on the revenues it brings in. That said, given its size and depth of its involvement in day-to-day library operations, it is plausible that even without its non-profit status OCLC would be a formidable competitor for ILS vendors.
Interesting times indeed. Follow the conversation on Twitter by looking for the skyoclc tag or read posts to the autocat mailing list that mention SkyRiver and OCLC. [via openlibrary]
mushrooms cultivated in the books….
“By introducing the book as a material in the garden, Jardin de la Connaissance offers an evocative cultural frame to examine transformational processes inherent in nature. Invoking the mythic relation between knowledge and nature, integral to the concept of ‘paradise’, we invite the emotional involvement of the visitor by exposing these fragile and supposedly timeless cultural artefacts to the processes of decomposition. ” More. [thanks greg!]