the Kindle lending experience from a patron’s perspective “a wolf in book’s clothing”

Cuneiform tablet on Kindle
[Kindle image by Tim Spalding, thanks Tim!]

I went to a staff meeting on Friday at the local library where I sometimes work. We did some strategic planning, some walking around the building looking at stuff that could be improved, and some “how to download various digital media format” exercises. We use Overdrive via Listen Up Vermont which gives us access to audiobooks and ebooks in EPUB and Kindle formats. I’m pretty okay at this sort of thing so we clicked around and saw how stuff worked and had a few little glitches but basically stuff was okay. I’ve been following the Amazon book lending story through the blogs the past few weeks and I’ve been skeptical but more curious than anything. I don’t have a Kindle but I’ve seen how popular they are and I was curious how this would all work. Well, as some bloggers have pointed out, it sort of doesn’t. Or, rather, it seems to require compromises to our systems and more importantly to our professional values. I’m hoping these issues can be resolved, but honestly if we can’t lend with some modicum of patron privacy, we shouldn’t be lending.

This is all leading up to an email exchange I had with a reader who was wondering the best way to raise concerns with his librarian about the user experience of borrowing a Kindle book from his library to use with the Kindle app on a non-Kindle device. Apparently, while the process to obtain the book wasn’t too difficult, the process to actually get RID of the book once returned [without a lot of pesky “hey maybe you should BUY this” cajoling] was actually fairly difficult. The default settings are, not surprisingly, strongly urging that the patron purchase (not renewal, not some sort of overdue notification) the book that they have just “returned.” I’ll let the patron speak for himself on this process. His name is Dan Smith and this is reprinted with his express permission.
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My first experience at “borrowing a Kindle book from the library” has left me with a bad taste in my mouth. It did not feel like borrowing a book from a library. It felt like a salesperson had sold me a book with a “no-risk free home trial” and was pestering me to buy it at the end of the trial period.

I feel that Amazon’s commercial promotion is excessive, and imposes inappropriately on public library patrons. Would you allow distributor’s rep to stand in the hall, grabbing people on their way to the return slot, saying “Stop! Why RETURN it when you can BUY it instantly for just $12.95?”

Yes, some of the irritations can be sidestepped, and as a savvy user I now know how. But Amazon took advantage of my innocence.

FIrst, the book was all marked up! Dotted underlines here and there on almost every page. It was like taking out a library book and finding someone had gone over it with a highlighter! Amazon allow “library” ebooks to be marked and annotated. Instead of cleaning them up for the next patron, it leaves them in place, and encourages you make your own marks for other people to see. I thought this was just some misguided idea about social networking, but it’s more sinister than that.

I turns out that there is a global setting, “Popular Highlights,” which controls whether you see these marks. But it is on by default! I never knew it was there, because it is only activated when a book has lots of them, and this was the first Kindle book I’ve read that had them. The setting to turn them off is buried, and couldn’t find it right away. Blame me for stupidity, but also blame Amazon, because I don’t think most readers want their books scribbled up, and I think Amazon defaults the setting to “on” to serve their own agenda.

Second, at the end of the loan period, instead of politely announcing that the book would be returned… or offering a renewal… or possibly even sending overdue fines to the library :) … I was instead confronted by intrusive ads, both in my Kindle application and in my regular email, urging me to buy the book from Amazon.

The email made a point of saying “If you purchase ‘The Bed of Procrustes’ or borrow it again from your local library, all of your notes and highlights will be preserved.” So, that’s why they encourage readers to scribble in library books: they want to hold our marginalia up for ransom.

Third, when the book is returned, it does not simply evaporate. The title, jacket and all, remained visible on my Kindle, exactly as if it were still there, but the behind the book cover is nothing but a notice that it has gone back to the library–and a button I can press. Renewal was not an option. The only option shown is to buy it from Amazon.

It looks like a book, but it’s a wolf in book’s clothing.

Fourth, it was hard to clean that ad out of my Kindle application. I could not find any “delete” option. There is an “archive” option, but all it does is move the book into an “archived items” list, where it continued to sit, looking just like the real books I’ve paid for and might want to re-download. Except that if you click on this one, all you get is a choice of “cancel” or “purchase.” Who would want to save that? But neither I nor an Amazon rep was able to find any deletion option within the Kindle application. The rep claims that the actual Kindle device has this capability, but could not explain why the Kindle application doesn’t. I was able to remove it by using a Web browser, logging into my account on the Amazon website, navigating to a “Manage Your Kindle” page, and deleting it via regular Web access. Fine. Now I know. Twenty minutes of my life wasted finding out.

I’ve now gotten a SECOND email solicitation from Amazon urging me to buy this book. How many I more I will receive?

Amazon gets plenty of promotion just by being the only Kindle book source. Their pushy “Don’t RETURN it, BUY it” attitude is out of bounds.

Banned Books Week 2011, a web content rundown

It’s time for my semi-regular round up of Banned Books Week websites. You can look at past posts on this topic by checking out the bannedbooksweek tag here or here is a list of the annual posts More on the Chicago Defender.
Here are my old Banned Books Weeks posts: 2000, 2001, 2002, 2003, 2004, 2006, 2007, 2008, 2009 and 2010. I skipped 2005.

As usual, you get a neat real-time look at what’s going on by following the Twitter hashtag. As usual there are two “main” sites the ALA site at ala.org/bbooks and the bannedbooksweek.org site. ALA has their usual site, links to shopping, links to the main site (which is a 404, oops), links to advocacy materials. They decided to do a virtual read-out instead of an in-person event and I’ve been clicking through some of the YouTube videos on the BBW channel. All the stuff I’ve seen so far seems like it would be what we call SFW [safe for work] and I’m vaguely curious if there could be something so racy that you’d get one of those “You have to be 14 to see this video” warnings up because, hey, that’s its own form of limiting speech. But I think that stuff is only for photos of people in their underwear, or maybe self-reported. The Banned Books Week main site has been up and down today and seems to mostly be pointing to the same stuff. They have a Twitter account but have never used it. The design gets better every year.

Here is the list of organizations who are co-sponsors. Let’s look at their websites.

There is also the Center for the Book in the Library of Congress who endorses Banned Books Week (though no link on their site?) as well as a few organizations who have signed on as sponsors

So I’d cautiously call this an improvement over last year. More coordinated programming, better talking between sites. I’m still looking for a good Banned Books Week Twitter list [i.e. with the sponsors] and if I don’t see one I guess I’ll make one. I’ve been enjoying the YouTube videos. My own tastes this year go to ebooks and thinking about, with the additional layer of middlemen in the ebook world of buying, licensing and lending, what it really means to be banned or censored an an ebook universe. Look for a post about pirates later in the week.

Thief does research, finds hidden passage to secret library and steals books. Old but good.

I’m afraid my burning passion overrode my conscience. It may appear selfish, but I felt the books had been abandoned. They were covered with dust and pigeon droppings and I felt no one consulted them any more. There was also the thrill of adventure – I was very scared of being found out.

Book thief explains why he stole 1,100 ancient books in a hidden room in a monastery library. The theft and the sentencing happened several years ago but just popped on to my radar and resulted in my finding another neat source of library/security information, the library theft category fo the Museum Security Network blog. Current posts are password protected but they become available after a while. Here is their post on what drives people to steal precious books.
Details of the secret room didn’t make the major media, but can be found in this Masters thesis on bibliokleptomania

“While some structural details are uncertain, many accounts agree on certain aspects of Gosse’s methods. The journey inside required him to scale a sheer exterior wall, which led to an attic workshop, which is now part of the hotel. From there, he followed a disused corridor to the next building. At the end of the corridor, he climbed down a very old rope ladder to a small sealed room. By pushing on a portion of the wall, he discovered that a bookcase inside the next room gave way. He then found himself standing inside the library.”

[via]

Book is out, and some other things.

I don’t think I’ve taken two weeks off from this website since it started in 1999. A short explanation is in order. I received a box with five copies of my book in the mail on May 18th. The next day I received the news that my father had died. I’ve mentioned this elsewhere and I’m sorry if I should have told you personally and didn’t and you learned about it here.

So, what might have been a PR onslaught of epic proportions–I am very proud of this book and excited to see it done and almost perfect–turned into a completely different sort of set of weeks. I’ll write more about my father on my own blog and you’re welcome to read this thread on MetaFilter which has links to a lot of things to read about him including obits in the Wall Street Journal and the New York Times. We’ve also set up a memory page on 1000 Memories [free forever, I give these folks the thumbs up]. My father’s death was sudden but not totally unexpected. I had a good relationship with him which was hard-won because he was a difficult and somewhat complex man. I am doing okay, all things considered. I am well taken care of. I am his executor and there is a lot of work to do.

Yesterday I started thinking about the book again. I made a facebook page for it but it also has its own page which includes the full bibliography, web links and appendix. The local newspaper wrote a little article about it and I think I can get the local bookstore to stock it. I’ll be heading to the Oregon Virtual Reference Summit in a few days to talk about Ask MetaFilter and the digital divide. I have a small pile of stuff I’ve been meaning to put here, but wanted to let people know what was up first. Let me know if you liked the book. Thanks for being here.

the future of the book is ….

The future of the book, the printed book, is up in the air. People stand to make a lot of money if they can convince you that their version of the future of print and reading is correct. Many of us would just like to separate the wheat from the chaff and keep delivering good content to various sorts of readers, from now until forever. The Green Mountain Library Consortium released their statement about Harper Collins this week which, while not as strong as I personally would have liked, I think sends a “hey man, not cool” message and at least sends a “hey we’re paying attention” message which I think is the important part. In the meantime, there are a lot of people who have a fairly good understanding of the general ebook situation who are deciding to poke a bit of fun at the crazy world we’re currently inhabiting. John Scalzi has made an electronic publishing bingo card which, while amusing in and of itself, has a weath of great discussion in the comments.

I’ll note that I spent a good chunk of time over this past week going over my page proofs [again] and yet I have no idea at all what the ebook for my book will look like or even what format(s) it will be available in. I can’t wait for this in-between time to be over with.