previews and spoilers in a 2.0 age

This is only loosely library-related. I remember when one of the Harry Potter books came out and I was working in a library. I realized they got the book early and were just in some weird way honor bound not to reveal the ending, to ration the copies out fairly, etc. That seemed decent. Libraries do the same thing with DVDs, waiting to shelve and/or “release” them until a certain date. Now that entire very popular books like Harry Potter can be photographed and released via bittorent sites well in advance of their sale date, what does this mean for the adorable, if outdated, notion of these embargoes? Anyone who wants to read the Harry Potter spoilers and figure out who dies, click this link.

update: actually don’t bother clicking it since I’ve now gotten word that it’s wrong. Testing spoilers is so complicated. Last I checked there was someone posting what seem like real spoilers spamlike across a bunch of livejournal communities. Rocky few days ahead for people who don’t want to know what happens. Last I checked since then, the posts were being removed almost as fast as they were going up. However, the transcription project is already going well, though some people are claiming that the photographs have themselves been photoshopped to include fake “facts” and others claim there are at least two sets of book photos going around that are not at all the same.

An Interview with Kurt Vonnegut – Library Journal April 15, 1973

This interview with Kurt Vonnegut appeared in Library Journal almost 34 years ago, it was nice of LJ to put it on their website.

Vonnegut expressed no surprise, however, at the censorship problems some of his books have run into with public schools in parts of Michigan and Ohio. “It’s the same thing every time. They ban something of mine, the ACLU jumps in, loses the case in the lower court, and wins the appeal. After all,” he stresses optimistically, “they can’t win. What they’re doing is unconstitutional.”

Balanced Libraries, a new title by Walt Crawford

Mazel tov to Walt Crawford on the publication of his new book Balanced Libraries. Walt published this book via Lulu Press and has devoted some space in his most recent issue of Cites and Insights to discussing how the Lulu Experience worked for him.

I’ve spent some of the last week going back and forth with editors of various things I’ve written. In one case an article I’d written had a blurb that I felt totally missed the point of my article, and in another case the changing of an ellipsis to a period made the last paragraph of a book introduction I wrote come across in a way I hadn’t intended. I decided not to continue co-editing a column for Serials Review because the sheer amount of process involved in communicating with Elsevier — making sure each web-page citation was in proper CMS style, getting a ton of automated email, most of which I was directed to ignore — wasn’t worth it for me. Every time, I was working with great editors, but there is only so much they can do between the time an article is written and the time it appears in print. No one enjoys being edited, but I think for most of us it’s the cost of doing business.

Between Walt’s Lulu experience and the books that Rory has been putting out as part of Library Juice Press — which I shamefully confess to having received and not yet had time to read but man do they look lovely — there are now alternatives to the slow intractable schedules and my-way-or-the-highway agreements that print publication has given us. Granted, these may not be legitimate in the eyes of tenure-granters, but not all of us are looking for tenure nowadays. I wish this shift were giving more of us bargaining power with existing print publishers, or changing the way they do business somewhat, but my feeling is that it will.