DRM and Libraries, what is useful to know

Proprietary formats — whether it’s Windows or Mac — are one of the big issues with ebooks and, therefore, ebooks in libraries. Here is one patron’s response to their library system going with Windows Media format ebooks that won’t play on Macs or Linux machines. He worked out a song with a friend: Your Audio Book Sounds Silent to Me [listen to it, it’s short and fun]. Phil works on digital divide and digital minorities generally. I happen to have read his notes about the song the day he also posted Trying to Update this Site from a Computer at a Public Library. Fascinating.

Do you know who is getting the shortest end of this stick? The tenants in affordable housing units in Northern Virginia where GNU/Linux computer labs have been set up for them to use. Many of these tenants are hardworking immigrant families. Could the adults and children in these families benefit from greater access to audio books? You tell me. “Sorry, buster, you’re a digital minority. No audio books for you. Here, let me relieve you of your taxpayer dollars all the same.” How about this for irony — one of the books currently inaccessible? Martin Luther King, Jr., On Leadership: Inspiration & Wisdom for Challenging Times, by Donald T. Phillips. I hear it’s a good book.

[tametheweb]

DRM “of no use to artists”?

I’ve been unplugged for a good deal of the past week and I can’t say I’ve minded too much. You can see some pictures here if you like visuals, they have almost no library content, maybe a little museum content. I’m easing back in to plugged-in-edness by reading the latest Cites & Insights and I’m really enjoying the section called ©3: Balancing Rights about the many complicated issues involved with DRM and rights in the digital media world generally. I’ve been scratching the surface of DRM issues in some of my talks, but Walt really picks apart many of the tricky issues involved in his direct and non-axe-grinding way. DRM curious? Go read it.

DRM – why do libraries care?

From the DRM Blog: Rent, Lease, or Buy – Which Model Is Right For You? No one is saying there’s something wrong with any case, but you don’t want to think your library is buying something when you’re really just renting the right to use it.

I have half a dozen songs from one service and three songs from another service and about 100 songs from a subscription service. I try the services because I cannot give my readers good advice if I do not try the various schemes for selling/renting digital content. But, because I am no longer paying the monthly subscription, I do not have access to those 100 songs I downloaded. The other songs have to be played through “authorized” players and so again I feel constrained. I have some open source software that I like for playing music but cannot use it with any of the content I downloaded.

learn more about DRM

Teleread makes the assertion that it’s not writers [or some writers] who are pushing DRM for e-books, it’s publishers. No surprise there. If you want, contrast these three “What is DRM?” pages: wikipedia, Microsoft, and the Electronic Frontier Foundation to get a very odd amalgam of ideas of what people think it is.

…my own thinking is that without DRM the e-book business would be at least ten times its present size, now a miserable $50 million or less in annual global sales. But forget about that. Let’s just carry the clueless authors’ paranoia to its logical conclusion. Maybe books should appear only on stone tablets. To guard against piracy, Famous Writers can specify that their precious masterpieces be chiseled only on tablets above a certain weight.